Some people may think it a bit strange that I am reviewing Sir Cliff Richard, He has been singing since I can remember when I was just a little kid! Along with the Shadows ( Originally called the Drifters), He has had tons of hits, I think it is a big shame that the main Radio stations will not play his music anymore as they think he is too old, What a load of old cobblers that excuse is, Come on you guys , Play his music again you prejudice prats! Here is his Biography bellow!
Cliff Richard at a press conference in the Netherlands in 1962
Cliff Richard with The Shadows in 1962
Cliff'sPortrait by Allan Warren (1973)
50th Anniversary Tour, Wembley
Sir Cliff Richard OBE
| Sir Cliff Richard Looking great ! | |
|---|---|
 Cliff Richard in November 2009 | |
| Background information | |
| Birth name | Harry Rodger Webb |
| Born | 14 October 1940 Lucknow, United Provinces, British India |
| Genres | Skiffle, rock and roll, pop, gospel, contemporary Christian music |
| Occupations | Musician, actor, philanthropist |
| Instruments | Vocals, guitar, percussion |
| Years active | 1958–present |
| Labels | EMI, EMI's Columbia, Epic, Decca, Rocket, Papillon |
| Associated acts | The Drifters/The Shadows, The Settlers, Olivia Newton-John |
| Website | www.cliffrichard.org |
Sir Cliff Richard, OBE (born Harry Rodger Webb, 14 October 1940) is a British pop singer, musician, performer, actor, and philanthropist. He is the third-top-selling singles artist in the United Kingdom's history, with total sales of over 21 million in the UK and has reportedly sold an estimated 250 million records worldwide.
With his backing group The Shadows, Richard, originally positioned as a rebellious rock and roll singer in the style of Little Richard and Elvis Presley, dominated the British popular music scene in the pre-Beatles period of the late 1950s and early 1960s. His 1958 hit single "Move It" is often described as Britain's first authentic rock and roll song, and John Lennon once claimed that "before Cliff and the Shadows, there had been nothing worth listening to in British music." Increased focus on his Christian faith and subsequent softening of his music later led to a more middle of the road pop image, sometimes venturing into gospel music.
Over a career spanning six decades, Richard has become a fixture of the British entertainment world, amassing many gold and platinum discs and awards, including three Brit Awards and two Ivor Novello Awards. He has had more than 130 singles, albums and EPs make the UK Top 20, more than any other artist and holds the record (with Elvis Presley) as the only act to make the UK singles charts in all of its first six decades (1950s–2000s). He has achieved 14 UK No. 1 singles (or 18, depending on the counting methodology) and is the only singer to have had a No. 1 single in the UK in five consecutive decades: the 1950s through to the 1990s.
Richard has never achieved the same impact in the United States despite eight US Top 40 singles, including the million-selling "Devil Woman" and "We Don't Talk Anymore", the latter becoming the first to reach the Billboard Hot 100's top 40 in the 1980s by a singer who had been in the top 40 in the 1950s, 1960s, and 1970s. In Canada, Richard achieved moderate success in the 1980s with several albums reaching platinum status. He has remained a popular music, film, and television personality in Australia, New Zealand, South Africa, Northern Europe and Asia, and he retains a following in other countries.
Biography
1940–58: Childhood and adolescence
Harry Rodger Webb was born in India at the King George Hospital, Victoria Street, in Lucknow , which was then part of British India or the British Raj. His parents were Rodger Oscar Webb, a manager for a catering contractor that serviced the Indian Railways, and his wife Dorothy Marie Dazely. Cliff was baptised Harry Rodger Webb on 2 November 1940 at St Thomas's Church, Dehradun, India. The family lived in a modest home with other Anglo-Indians at Maqbara, near the main shopping centre of Hazratganj. The Anglo-Indians living at Maqbara were often employed as musicians; a band played at the Royal Cafe Restaurant, Lucknow, and another at the Mohmmad Bagh club, which was the officers' club serving the garrison at Lucknow. Dorothy's mother served as the dormitory matron at the La Martiniere Girls' School. Anglo-Indians did not enjoy any great social status in India and were looked down upon by the British. Cliff has three sisters. In around 1945, his family moved to Howrah, near Calcutta, where he started his schooling in St. Thomas' Church School, Howrah, which still exists.
In 1948, following Indian independence the family embarked on a three week sea voyage to Tilbury, Essex, England aboard the SS Ranchi. The Webbs moved from comparative wealth in India, where they had servants and lived in a company-supplied flat at Howrah near Calcutta, to a semi-detached house in Carshalton, Surrey (which was also the location of the school he attended, Stanley Park Juniors). In 1949 his father obtained employment in the credit control office of Thorn Electrical Industries and the family moved in with other relatives in Waltham Cross, Hertfordshire, where he attended Kings Road Junior Mixed Infants School until a three-bedroom council house in Cheshunt was allocated to them in 1950. Harry Webb then attended Cheshunt Secondary Modern School, later renamed Riversmead School (later rebuilt and renamed Bishopslea School) from 1952 to 1957. As a member of the top stream, he stayed on beyond the minimum leaving age to take GCE Ordinary Level examinations and gained a pass in English literature. He then started work as a filing clerk for a company called Atlas Lamps. A development of flats, Cliff Richard Court, has been named after him in Cheshunt.
Harry Webb became interested in skiffle. His father bought him a guitar at 16 and he formed the Quintones vocal group in 1957, before singing in the Dick Teague Skiffle Group.
1958–63: His success and stardom
Harry Webb became lead singer of a rock and roll group, The Drifters (not to be confused with the US group of the same name). 1950s entrepreneur Harry Greatorex wanted the up and coming Rock 'n' Roll singer to change from his real name of Harry Webb. The name Cliff was adopted as it sounded like cliff face, which suggested "Rock." It was "Move It" writer Ian Samwell who suggested that the former Harry Webb be surnamed Richard as a tribute to Webb's musical hero Little Richard. Before their first large-scale appearance, at the Regal Ballroom in Ripley, Derbyshire in 1958, they adopted the name "Cliff Richard and the Drifters". The four members were Harry Webb (now going under the stage name "Cliff Richard"), Ian "Sammy" Samwell on guitar, Terry Smart on drums and Norman Mitham on guitar. None of the other three played with the later and better known Shadows, although Samwell wrote songs for Richard's later career.
For his debut session, Norrie Paramor provided Richard with "Schoolboy Crush", a cover of an American record by Bobby Helms. Richard was permitted to record one of his own songs for the B-side; this was "Move It", written by the Drifters' Samwell on a number 715 Green Line bus on the way to Richard's house for a rehearsal. For the "Move It" session, Paramor used the session guitarist Ernie Shears on lead guitar and Frank Clark on bass.
There are various stories about why the A-side was replaced by the intended B-side. One is that Norrie Paramor's young daughter raved about the B-side; another was that influential TV producer Jack Good, who used the act for his TV show Oh Boy!, wanted the only song on his show to be "Move It". Cliff was quoted as saying -
| “ | It's wonderful to be going on TV for the first time, but I feel so nervous that I don't know what to do. I shaved my sideburns off last night... Jack Good said it would make me look more original. | ” |
NME - September 1958
The single went to No. 2 on the UK Singles Chart. John Lennon credited "Move It" as being the first British rock record and music critics Roy Carr and Tony Tyler wrote that it was the first genuine British rock classic, followed by Johnny Kidd and the Pirates' "Shakin' All Over".
In the early days, Richard was marketed as the British equivalent to Elvis Presley. Like previous British rockers such as Tommy Steele and Marty Wilde, Richard adopted Presley-like dress and hairstyle. In performance he struck a pose of rock attitude, rarely smiling or looking at the audience or camera. His late 1958 and early 1959 follow-up singles, "High Class Baby" and "Livin' Lovin' Doll", were followed by "Mean Streak", which carried a rocker's sense of speed and passion, and Lionel Bart's "Living Doll". It was on "Living Doll" that the Drifters began to back Richard on record. It was his fifth record, and became his first No. 1 single. By that time the group's lineup had changed with the arrival of Jet Harris, Tony Meehan, Hank Marvin, and Bruce Welch. The group was obliged to change its name to "The Shadows" after legal complications with the American group The Drifters as "Living Doll" entered the American top 40, licensed by ABC-Paramount. "Living Doll" was used in Cliff's debut film Serious Charge, but as a country standard, rather than a rock and roll standard.
The Shadows were not a typical backing group. They became contractually separate from Richard, and the group received no royalties for records backing Richard. In 1959, The Shadows (then still the Drifters) landed an EMI recording contract of their own, for independent recordings. That year, they released three singles, two of which featured double-sided vocals and one of which had instrumental A and B sides. They thereafter had several major hits, including five UK No. 1s. The band also continued to appear and record with Richard and wrote many of his hits. On more than one occasion, a Shadows' instrumental replaced a Cliff's song at the top of the British charts.
Cliff's fifth single "Living Doll" triggered a softer, more relaxed, sound. Subsequent hits, the No. 1s "Travellin' Light" and "I Love You" and also "A Voice in the Wilderness" lifted from his film Expresso Bongo and "Theme for a Dream" cemented Cliff's status as a mainstream pop entertainer along with contemporaries such as Adam Faith and Billy Fury. Throughout the early 1960s, his hits were consistently in the top five.
In 1961, EMI records organised Richard's 21st birthday party at its London headquarters in Manchester Square led by his producer Norrie Paramor. Photographs of the celebrations were incorporated into Cliff's next album "21 Today" in which Tony Meehan joined in despite, then, having very recently left the Shadows to be replaced by Brian Bennett.
Typically, The Shadows closed the first half of the show with a 30-minute set of their own, then backed Cliff on his show-closing 45-minute stint as exemplified by the retrospective CD album release of "Live at the ABC Kingston 1962". Tony Meehan and Jet Harris left the group in 1961 and 1962 respectively and later had their own chart successes for Decca. The Shadows added bass players Brian Locking (1962–63) and then John Rostill (1963–1968) and took on Brian Bennett permanently on drums.
In the early days, particularly on EP and album releases, Cliff sometimes recorded without The Shadows in order to cater to other styles with The Norrie Paramor Orchestra with Tony Meehan and then Brian Bennett as a session drummer. Even after the Beatles' rise he continued to achieve hits, although more often with an orchestra rather than The Shadows: a revival of "It's All In The Game" and "Constantly" (officially "Constantly (L'Edera)"), a revived single of a well-known Italian hit. A session under the direction of Billy Sherrill in Nashville yielded two more top two hits: "The Minute You're Gone" and "Wind Me Up" in 1965.
Richard, and in particular The Shadows, never achieved star status in the United States. In 1960 they toured the United States and were well-received, but lacklustre support and distribution from a revolving door of American record labels proved an obstacle to long-term success there despite several chart records by Richard including the aforementioned "It's All In The Game" on Epic, via a renewed linking of the worldwide Columbia labels after Philips ended its distribution deal with CBS. To the Shadows' chagrin, Apache reached No. 1 in the US via a cover version by Danish guitarist Jorgen Ingmann which was almost unchanged from their worldwide hit. Richard and the band appeared on The Ed Sullivan Show, which was crucial for the Beatles, but these performances did not help them gain sustained success in North America.
Richard and The Shadows appeared in six feature films including a debut in the 1959 film Serious Charge but most notably in The Young Ones, Summer Holiday, Wonderful Life and Finders Keepers. These films created their own genre known as the "Cliff Richard musical" and led to Richard being named the No. 1 cinema box office attraction in Britain for both 1962 and 1963 beating that of even James Bond. The title song of The Young Ones became his biggest-selling single in the United Kingdom, selling over one million copies in the UK.[20] The irreverent 1980s TV sitcom The Young Ones took its name from Richard's 1962 film, and also made references to the singer. In 1966, Richard and the Shadows appeared as marionettes in the Gerry Anderson film Thunderbirds Are GO. In mid-1963 Cliff and the Shadows appeared for a season in Blackpool, where Richard had his portrait modelled by Victor Heyfron, M.A.
1964–75: Changing circumstances
As with the other existing rock acts in Britain, Cliff's career was affected by the sudden advent of The Beatles and the Mersey sound in 1963 and 1964. He continued to have hits in the charts throughout the 1960s, albeit not at the level that he had enjoyed before. Nor did doors open to him in the U.S. market; he was not considered part of the British Invasion, and despite four Hot 100 hits (including the top 25 "It's All In The Game") between August 1963 and August 1964, the American public had little awareness of him.
Richard's 1965 UK No. 12 hit "On My Word" ended a run of 23 consecutive top ten UK hits between "A Voice In The Wilderness" in 1960 to "The Minute You're Gone" in 1965, which, to date, is still a record number of consecutive top ten UK hits for a male artist. Cliff continued having international hits, including 1967's "The Day I Met Marie", which reached No. 10 in the UK Singles Chart and No. 5 in the Australian charts.
Although baptised as an Anglican, Richard did not appear to practise the faith in his early years. In 1964, he became an active Christian and his faith has become an important aspect of his life. Standing up publicly as a Christian affected his career in several ways. Initially, he believed that he should quit rock 'n roll, feeling he could no longer be the rocker who had been called a "crude exhibitionist" and "too sexy for TV". Cliff intended at first to "reform his ways" and become a teacher, but Christian friends advised him not to abandon his career just because he had become an active Christian. Soon after, Cliff re-emerged, performing with Christian groups and recording some Christian material. He still recorded secular songs with the Shadows, but devoted a lot of his time to Christian work, including appearances with the Billy Graham crusades. As time progressed, Cliff balanced his faith and work, enabling him to remain one of the most popular singers in Britain as well as one of its best-known Christians.
Cliff acted in the 1967 film Two a Penny, released by Billy Graham's World Wide Pictures, in which he played Jamie Hopkins, a young man who gets involved in drug dealing while questioning his life after his girlfriend changes her attitude. He released the live album Cliff in Japan in 1967.
In 1968, he sang the UK's entry in the Eurovision Song Contest: "Congratulations" by Bill Martin and Phil Coulter; it lost by just one point to Spain's "La La La". According to John Kennedy O'Connor's The Eurovision Song Contest—The Official History, this was the closest result yet in the contest and Richard locked himself in the toilet to avoid the nerves of the voting. In May 2008 a Reuters news report claimed that voting in the competition had been fixed by the Spanish dictator leader, Francisco Franco, to ensure that the Spanish entry won, allowing them to host the contest the following year (1969). In particular, it is claimed that Spanish TVE television executives offered to buy programmes in exchange for votes. The story was widely covered and featured on UK Channel 4 News as a main story, with Jon Snow interviewing author and historian John Kennedy O'Connor about the matter. Eurovision later ended voting by national juries in a bid to eradicate such alleged scams. Nevertheless, "Congratulations" was a huge hit throughout Europe and yet another No. 1 in April 1968.
After the Shadows split in 1968, Cliff continued to record songs.
During the 1970s, Cliff took part in several television shows and fronted his own show It's Cliff Richard from 1970 - 1976. It starred Olivia Newton-John, Hank Marvin and Una Stubbs, and included A Song for Europe. He began 1970 by appearing live on the BBC's review of the sixties music scene, Pop Go The Sixties, which was broadcast across Britain and Europe on 31 December 1969. He performed "Bachelor Boy" with The Shadows and "Congratulations" solo. In 1972, he made a short BBC television comedy film called The Case with appearances from comedians and his first ever duets with a woman, Olivia Newton-John. He went on to release a double live album "Cliff Live in Japan 1972" featuring Olivia Newton-John.
His final acting role on the silver screen was in 1973 when he starred in the film, Take Me High.
In 1973, he sang the British Eurovision entry "Power to All Our Friends"; the song finished third, close behind Luxembourg's "Tu Te Reconnaîtras" and Spain's "Eres Tú". This time, Cliff took Valium in order to overcome his nerves and his manager was almost unable to wake him for the performance. Cliff also hosted the BBC's qualifying heat for the Eurovision Song Contest, A Song for Europe, in 1970, 1971 and 1972 as part of his BBCTV variety series. He presented the Eurovision Song Contest Previews for the BBC in 1971 and 1972.
In 1975, he released the single "Honky Tonk Angel" produced by Hank Marvin and John Farrar, oblivious to its connotations or hidden meanings. As soon as Richard was notified that a "honky-tonk angel" was southern US slang for a prostitute, Richard ordered EMI to withdraw it. He refused to promote it despite making a video for it. EMI agreed to his demand despite positive sales. About 1,000 copies are known to exist on vinyl.
The 1976–94: Comeback
In 1976, the decision was made to repackage Cliff as a "rock" artist. That year Bruce Welch relaunched Cliff's career and produced the landmark album I'm Nearly Famous, which included the successful but controversial guitar-driven track "Devil Woman" (Richard's first true hit in the US) and the ballad "Miss You Nights". Cliff's fans were excited about this revival of a performer who had been a part of British rock from its early days. Many music names such as Jimmy Page, Eric Clapton, and Elton John were seen sporting I'm Nearly Famous badges, pleased that their boyhood idol was getting back into the heavier rock in which he had begun his career.
Notwithstanding this, Cliff continued to release gospel-tinged albums in parallel with his rock and pop albums, for example: Small Corners from 1978 contained the single "Yes He Lives". On 31 December 1976, he performed his latest single "Hey, Mr. Dream Maker" on BBC1's A Jubilee Of Music, celebrating British pop music for Queen Elizabeth II's impending Silver Jubilee.
In 1979, Cliff teamed up once again with producer Bruce Welch for the pop hit single "We Don't Talk Anymore", written by Alan Tarney, which hit No. 1 in the UK and No. 7 in the US. Bryan Ferry added hummed backing vocals to the song. The record made Cliff the first act to reach the Hot 100's top 40 in the 1980s who had also been there in each of the three previous decades. The song was quickly added onto the end of his latest album Rock 'n' Roll Juvenile. It was his first time at the top of the UK singles chart in over ten years and the song would become his biggest-selling single worldwide, selling almost five million copies throughout the world. The accompanying music video was the sixth to appear on American cable channel MTV when it debuted on 1 August 1981.
At long last he had some extended success in the United States following "Devil Woman". The follow-up "Dreamin'" peaked at No. 10. His 1980 duet "Suddenly" with Olivia Newton-John, from the film Xanadu, peaked at No. 20. In the UK, "Dreamin'" peaked at No. 8 and "Carrie" reached No. 4. In a retrospective review of the single, Allmusic journalist Dave Thompson praised "Carrie" as being "an enthrallingly atmospheric number. One of the most electrifying of all Cliff Richard's recordings."
In 1980, Richard changed his name by deed poll from Harry Webb to Cliff Richard and received the O.B.E. from the Queen for services to music and charity.
The singles chart saw his most consistent period of top twenty hits since the mid 1960s, with "A Little In Love", "Dreamin'", and "Suddenly" on the Hot 100 at the same time at the end of 1980. Richard continued with a string of top ten albums, including I'm No Hero, Wired for Sound, Now You See Me, Now You Don't, and, marking his 25th year in show business, Silver.
In 1986, Richard reached No. 1 by teaming up with The Young Ones to re-record his smash hit "Living Doll" for the charity Comic Relief. Along with the song, the recording contained comedy dialogue between Cliff and the Young Ones. That same year Cliff opened in the West End as a rock musician called upon to defend Earth in a trial set in the Andromeda Galaxy in the multi-media Dave Clark musical Time. Two Cliff singles, "She's So Beautiful", which reached No. 17 in the UK and "Born To Rock 'n Roll", were released respectively in 1985 and 1986 from the concept album recorded for Time.
In August 1986, Cliff was involved in a five-car crash in torrential rain on the M4 motorway in West London. Cliff's car was a write-off as another car swerved and braked hard. Cliff hurt his back in the accident, but was not seriously injured in the crash. Police called for a cab from the accident scene so that he was able to perform that night in the "Time" musical. Cliff said: "I'm lucky to be here" after the show. He said that his seatbelt prevented him from flying through the windscreen.
In October 1986, "All I Ask of You", a duet that Cliff recorded with Sarah Brightman from the Andrew Lloyd Webber musical version of The Phantom of the Opera reached No. 3 in the UK singles chart. 1987 saw Richard record his Always Guaranteed album, which became his best selling album of all new material. It contained the two top-10 hit singles "My Pretty One" and "Some People".
Cliff concluded his thirtieth year in music by achieving a UK Christmas No. 1 single in 1988 with "Mistletoe and Wine", while simultaneously holding the No. 1 positions on the album and video charts with the compilation Private Collection summing up his biggest hits from 1979-1988. "Mistletoe and Wine" was Richard's 99th UK single and spent four weeks at the top of the chart. It was the best-selling UK single of 1988, shifting 750,000 copies.
In 1989, Cliff received the Brits highest award: "The Outstanding Contribution award". In June 1989, he filled London's Wembley Stadium for two nights with a spectacular titled "The Event" in front of a combined audience of 144,000 people.
Cliff's 1989 UK No. 2 hit single "The Best Of Me" received positive reviews from critics and established him as the first British artist to release 100 singles. "The Best Of Me" was included in the top ten album Stronger, together with the UK No. 3 "Just Don't Have The Heart" (written and produced by Mike Stock, Matt Aitken and Pete Waterman) and the 1990 UK No. 11 hit From a Distance.
Later in 1990, Cliff scored his second UK Christmas No. 1 single with "Saviour's Day", a song written by Chris Eaton, which became Richard's 13th UK No. 1 single and his 100th top 40 hit. The video for "Saviour's Day" featured Cliff singing on top of the limestone arch landmark of Durdle Door in Dorset.
Richard unsuccessfully bid for the Christmas No. 1 spot again with "We Should Be Together" and "Healing Love" in 1991 and 1993 respectively – the latter being taken from his No. 1 studio album Cliff Richard - The Album. The next few years saw Cliff concentrate on bringing the musical Heathcliff to the stage.
Back in the UK during the next years and throughout the 1980s, Cliff remained one of the best-known music artists in the country. In the space of a few years he worked with Elton John, Mark Knopfler, Julian Lennon, Freddie Mercury, Stevie Wonder, Phil Everly, Janet Jackson, Sheila Walsh, and Van Morrison. Cliff also reunited with Olivia Newton-John. Meanwhile, The Shadows later re-formed (and again split). They recorded on their own, but also reunited with Cliff in 1978, 1984, and 1989–90 for some concerts. On 14 June 2004, Cliff joined the Shadows on-stage at the London Palladium. The Shadows had decided to re-form for one final tour of the UK, with this concert heralded as their final ever concert as "Cliff and the Shadows".
On 17 June 1995 Richard was appointed a Knight Bachelor (and invested on 25 October 1995)[40] and became the first rock star to be so honoured (Bob Geldof had received his honorary knighthood nine years earlier).
In 1996, he led the Wimbledon Centre Court crowd in singing during a rain delay when asked by Wimbledon officials to entertain the crowd.[41][42]
In 1998, Richard demonstrated that radio stations were refusing to play his music by releasing his latest single "Can't Keep This Feeling In" on a white label under the pseudonym of Blacknight. The single was featured on playlists until the true artist was revealed.
In 1999, controversy again arose regarding radio stations refusing to play his releases when EMI, Richard's label since 1958, refused to release his latest song, "The Millennium Prayer", having judged that the song did not have commercial potential.[44] Richard took it to an independent label, Papillon, which released the charity recording (in aid of Children's Promise). The single went on to top the UK chart for three weeks, becoming his fourteenth No.1 and the third-highest-selling single of his career.
Richard's next album, in 2001, was a covers project, Wanted, followed by another top ten album, Cliff at Christmas. The holiday album contained both new and older recordings, including the single "Santa's List", which reached No. 5 in 2003.
For his seven day long 60th birthday party Richard in conjunction with OK magazine hired a cruise boat to Monte Carlo and sailed with his top 80 (out of a possible 500) specially invited guests, mostly from British showbiz, to France. Among the guests were Olivia Newton-John, Shirley Bassey, Sue Barker, Gloria Hunniford, Tim Rice, Mike Read, Bobby Davro (a Cliff Richard impersonator), Cliff's sisters, etc.
Cliff went to Tennessee for his next album project in 2004, employing a writers' conclave to give him the pick of all new songs for the album Something's Goin' On. It was another top ten album, and produced three top fifteen singles: "Something's Goin' On", "I Cannot Give You My Love", with Barry Gibb of the Bee Gees, and "What Car".
Two's Company, an album of duets released in 2006, was another top 10 success and included newly recorded material with Brian May, Dionne Warwick, Anne Murray, Barry Gibb and Daniel O'Donnell, plus some previously recorded duets with artists such as Phil Everly, Elton John and Olivia Newton-John. Two's Company was released to coincide with the UK leg of his latest world tour, "Here and Now", which included lesser known songs such as "My Kinda Life", "How Did She Get Here", "Hey Mr. Dream Maker", "For Life", "A Matter Of Moments", "When The Girl In Your Arms", "Every Face Tells A Story", "Peace In Our Time" and the Christmas single "21st Century Christmas", which debuted at No. 2 on the UK singles chart.
Another compilation album, Love... The Album was released on 12 November 2007. Like Two's Company before it, this album includes both previously released material and newly recorded songs, namely "Waiting For A Girl Like You", "When You Say Nothing At All", "All Out Of Love", "If You're Not the One" and "When I Need You" (the last was released as a single, reaching No. 38; the album peaked at No. 13).
2008–present: 50th anniversary
A new album by Richard and the Shadows was released in September 2009. Titled Reunited, It was their first studio project in forty years. The 28 tracks recorded comprise 25 re-recordings of their earlier work, with three "new" tracks, originally from that era (and earlier), the single "Singing the Blues", along with Eddie Cochran's "C'mon Everybody" and the Frankie Ford hit "Sea Cruise". The album charted at No. 6 in the UK charts in its opening week and peaked at No. 4. The reunion tour continued into Europe in 2010. In June 2009, it was reported by Sound Kitchen Studios in Nashville that Richard was to return there shortly to record a new album of original recordings of jazz songs.[46] He was to record fourteen tracks in a week.
Richard performed "Congratulations" at the 70th birthday celebrations of Queen Margrethe II in Denmark on 13 April 2010.
On 14 October 2010, Richard celebrated his 70th birthday and to mark the occasion, he performed a series of six concerts at the Royal Albert Hall, London. To accompany the concerts, a new album of cover versions of swing standards, Bold as Brass, was released on 11 October.
So you can now see why I am upset obout the radio stations not wanting to play his songs, With all that great history behind him, Surely Sir Cliff deserves to be played if only out of respect!
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